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Fire on the Vine
by Bryan John Appleby
This is the second in a series of weekly album reviews published by Andrew Dubber. If you haven’t already caught it, please check out his introductory post. The world appears to be littered with bearded young men with acoustic guitars and notebooks full of verse, access to old pianos, and mournful string players. Few have … Continue reading Album of the Week: Fire on the Vine →
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Truth or Consequences
by Chelsea Rose
The former Summer Twin steps into her own on a sophisticated solo record full of classic pop sounds and starry-eyed optimism.
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Spunky songwriting wrapped up in luscious vocals and beautifully baroque-pop arrangements.
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“Portraits” is a collection of expertly drawn narrative songs with sharply observed lyrics and rustic instrumentation.
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An album of classic-sounding guitar pop sure to appeal to fans of Cut Worms, with lyrics about life’s dark places.
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Forever is a Long Time
by Ian Coss
These sweet, sad indie pop tunes accompany Ian Coss's podcast of the same name, in which he interviews his family about their divorces.
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Johanna Samuels writes introspective and empathetic songs that explore authenticity with lovely, low-key pop melodies.
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